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2011恐怖片
艾莉森（梅利莎·乔治 Melissa George 饰）是一名攀岩爱好者，一次位于苏格兰高地的攀岩活动中，她和他的四名队友在无意之中发现了一个秘密的地下室，在那里，关着一个年幼的塞尔维亚女孩。直觉告诉艾莉森事有蹊跷，正义感爆发的她决定和队友们一同解救这个被绑架的可怜女孩。 原来，女孩是东欧某黑道老大的女儿，两名不知天高地厚的绑匪劫持了她，希望得到巨额的赎金，如果这一行动失败，那等待着他们的只有死路一条。艾莉森一行人的行动触怒了绑匪，为了利益，也为了保命，在登山队和穷凶极恶的暴徒之间，一场惊心动魄的你追我逃展开了。而除了来自绑匪的威胁外，人性深处的黑暗和自私也张开了血盆大口，等着将他们吞噬。
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1931爱情片
Synopsis: One of Gustav Machaty's (Ecstasy) major achievements, From Saturday to Sunday is marked by a gentle romanticism. Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home t...
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1967剧情片
1919年俄国革命后，内战爆发，在伏尔加河平原上，不少匈牙利人加入了苏维埃红军同白军展开消耗战……一名来自匈牙利的红军士兵被杀死在村边的河流中，白军驱车在村庄宣传，似乎胜利已经在握。落魄的红军战士跑回营地，而那里同样有白军俘虏，红军除去俘虏的衣服羞辱他们，但是转眼间营地又被白军包围， 这次失去军装的是红军士兵，一身军装成为了人们区分敌我的唯一标示，抹消对方身份和屠杀的报复行为在两方间周而复始……几个红军战士逃出营地，在白军的围追中亡命天涯，而他们所遭遇的一切，注定是以死亡为终结的无奈循环。 本片是匈牙利新浪潮的代表作之一。
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2006动漫
韦布五百年前在伯捷克城堡和一群徒赌玩扑克牌，因耍老千和这些人结下梁子，甚至遭雷劈死，而变成了城堡的幽魂，一直在那里徘徊不去。五百年后新的城堡继承人朱利安国王为了向琳欧娜女爵求婚，特地到这个城堡来，打算在此举行婚礼。没想到一连串的闹鬼事件，竟然扯出了一段长达五百多年的仇恨…
战争受害人的命运转折点
1993剧情片
斯大林格勒战役是二次大战中，德国遭到史无前例的惨败一役，也是欧洲战场的一个重大转折点。苏联红军用自己的肉身挡住了德国炮弹和飞机的轰炸。影片在描写战役的同时，企图探讨两个受害人因战争改变命运的经过。 1942年，几个很普通的德军士兵从温暖的海滨随部队调往斯大林格勒前线，很快他们就被残酷的战火吞没了。随着冬天的来临严寒成了比战斗更可怕的东西。在冰天雪地里他们想的不是如何作战，而是如何活下去。每天都有上千德国士兵死亡。德军的溃败就像一场大灾难，士兵们一个个死去，最后的两个人在幻想着回乡的温暖中冻死在了白色的冰面上。
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1971剧情片
In small czech town named Jilemnice live unfortunate, but brave and jovial woman Štěpa Kiliánová, whose only desire was to fill the void in her virgin life. In despair and excessive trust, she married a sardonic, reclusive man, former lieutenant and gambler Pavel Malina, whose only wish was finally found peace and forgetting the past. They lived through unrequited love, dislike and disappointment. But no one knew that her groom begin to show signs of cerebral disease, which in the coming years engulf his sanity.
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2000剧情片
讲述的是纳粹发起了“生命之源”计划，鼓励精心挑选的德国军官跟金发碧眼的“纯种”雅利安美女炮制出纯种“雅利安婴儿”。女主角被纳粹选中进入纳粹创办的产院,却与一个非雅利安裔的青年相爱，生下孩子。后来孩子被纳粹强行带走，送回德国养育。随着纳粹的灭亡“生命之源”计划寿终正寝，女主角走出纳粹产院，重获心灵的春天。
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1969剧情片
This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script. The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.
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一直作為米路斯．科曼劇本鐵三角（另一位是帕培錫，也是本片編劇之一）成員的艾雲．巴薩，當然也走低度戲劇路線。同是音樂家的彼德與卡洛老友重逢，生活狀況大不同，你有伴侶我有家庭，然而都有說不出的不明朗，唯有以酒與音樂代替口水。全片推展不問目的，只在剎那間的意圖，行行企企比起科曼更義無反顧，卻有生活淡如流水的詩意和繆思，叫觀眾聯想到二十年後的伊力．盧馬。巴薩鍾愛音樂的程度不下於文字和電影，古典音樂與民間音樂於全片迴轉迴盪，難怪成了奇斯洛夫斯基十大心愛電影之一。 康城影展青年評審團獎，美國全國影評人協會特別獎 這部1966年的珍品，是捷克新浪潮短暫生命中最佳作品之一。成名音樂家到小鎮探訪舊同學，舊同學是個窮音樂教師，有時在喪禮上吹奏樂曲。平凡的素材在巴素手裡，變出風趣復罕見的旋律，一部憂鬱的喜劇，或灰色喜劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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1976喜剧片
In this film, a couple, after seeing the lovely job a friend of theirs has done in converting an old mill house into a cozy mansion, moves into an old farmhouse after persuading the current owner, an old man, to leave. When they arrive, he appears to be preparing to leave, but it soon becomes evident that the man has no intention of going to live with his children, and intends to stay in the house. At first, they find his presence unbearable, but when he must go to the hospital, they begin to realize that they care for the feisty old gentleman. ~ Clarke Fountain, All Movie Guide
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2010纪录片
The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.
The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.
The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.
Part 1 comments on:
■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher
■"Konkurs" ("Audition," 1963) by Miloš Forman
■"Křik" ("The Cry," 1963) by Jaromil Jireš
■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček Jan Schmidt
■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm
■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec
■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer
■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa
■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár Elmar Klos
■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra
■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová
■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel
Part 2 comments on:
■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko
■"Stud" ("Shame," 1967) by Ladislav Helge
■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík
■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner
■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil
■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek
■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz
■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová
■"Pasťák" ("The Decoy," 1968) by Hynek Bočan
■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček
■"322" ("322," 1969) by Dušan Hanák
■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta
■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
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一个童话般的捷克小镇，镇上住著各式各样的怪诞人物，一天镇上来了一位魔法师，这位魔法师拥有一只神奇的猫，只要它戴上眼镜便能看穿人心，叫人无所遁形。它能将说谎的人变成紫色、将小偷变成灰色、不忠诚的人变成黄色，还能将恋爱中的人变成红色，却也引来害怕被看穿的人追杀。这是部带有警示、哲学意味的现代童话寓言，魔幻写实的风格、缤纷七彩的影像，带领我们进入梦幻般的异想世界。